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Then came Waka’s first smash: “O Let’s Do It.” Opening with the now famous, “I fucked my money up, now I can’t re-up” line, “O Let’s Do It” was an extension of Lil Jon’s crunk, only this time a trap star was the one throwing the party.
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Drake’s lyrical, emotional and melodic mixtape So Far Gone was the talk of the industry. Lil Wayne secured his “Best Rapper Alive” crown with a dizzying string of tightly packed releases. All anybody knew was that Gucci Mane was rolling around with a young dude with a penchant for yelling his rhymes (and non-rhymes) over beats that could make a trap-house crumble.Īt the time rap had begun trending away from the bass-laden party cuts that seemed to sprout from the South every few months. But in 2012, the 26-year-old’s success has earned him top billing on the Mizay Entertainment roster.īack in 2009, few people had any idea who Waka Flocka Flame, born Juaquin Malphurs, even was.
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Three years ago, the fact that Waka’s birthday coincided with the release of Gucci’s mixtape wouldn’t have warranted any change of plans. You’re likely to see a couple stars pass by to say what up and show respect.
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Of course things can be more eventful with an artist as popular as Waka. If you’re not actually working on the video, you’ll find yourself sitting around bullshitting, waiting for the producers to call lunch. They compliment each other’s jewelry and Trey soon joins Waka on camera.Ĭontrary to what MTV’s Making the Video might have you believe, making music videos is a long, arduous, and altogether boring process. After the end of his take, Waka walks through the crowd excitedly to dap the multi-platinum R&B star. Halfway through the first set-up-a black seamless with light flashing every which way-the crowd that was once intensely focused on Waka’s performance turns around. He throws this on over a black T-shirt and dark denim and makes his way to set. Waka returns to going through clothes with his stylist and settles on a white leather vest with BSM-signifying his crew, 1017 Brick Squad Monopoly-emblazoned on the front and back. The mood in the dressing room is once again light. But here he is-white Tee’d, dreadlocked, and ready to work. If it wasn’t for the faint but persistent smell of weed, the police squad cars circling the block like buzzards, and the parade of tour buses blocking traffic so they can fit like Tetris blocks into the parking lot, you wouldn’t know that one of the world’s biggest rap stars is gearing up to shoot a music video. It’s a chilly spring night at this warehouse on the outskirts of Atlanta, Georgia. Still, he tells the videographer: “If you want to slap a girl’s ass, Do it. But, alas, this is show business, and Waka relents. The question arises because-before sitting down with his two-person hair team-Waka went on a minute-long rant about how he’s not really the kind of dude who gets his hair “dipped up.” He’d rather rock out with it the way it is. The videographer, who’s trying to capture behind-the-scenes footage as part of Warner Bros’ Waka marketing blitz, wants to know if it would be OK to record the six-foot-four rapper getting his dreads touched up before shooting the first scene? It’s what he tells a hired videographer on the set of the music video shoot for “I Don’t Really Care,” the Trey Songz–assisted second single from his sophomore album, Triple F Life: Fans, Friends, and Family. Waka Flocka Flame has only one rule: Do whatever you want to do. This feature is a part of Complex's "Triple F Life" Week. Who says Waka can’t get his paper up and stay all the way turnt up?
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